Spinhardi, Giovana Benedita CardosoFerretti, Danilo José Zioni2023-09-012023https://deposita.ibict.br/handle/deposita/419This research has as object of study the artist Alberto da Veiga Guignard. Through the outlining of his trajectory and his sociability networks, we seek to investigate the possible ways in which some landscape drawings, produced by the artist, participated in the initiatives and developments implemented by artists and intellectuals with a view to equating the binomial modernism and nationalism in the context of culture of the country at that time. The temporal cut of the research was concentrated between the years of 1942 and 1962 and the spatial delimitation focused on Rio de Janeiro, Belo Horizonte and the historic cities of Minas Gerais, main places of performance of Guignard since the artist returned definitively from Europe to the Brazil, in 1929.application/pdfopenAccessAlberto da Veiga Guignardgraphic landscapessociabilityBrazilian artAlberto da Veiga Guignardpaisagens gráficassociabilidadesarte brasileiraCiências HumanasThe design of a modern Brazil in the graphic landscapes of Guignard (1942-1962)O desenho de um Brasil moderno nas paisagens gráficas de Guignard (1942-1962)Dissertação