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Use este identificador para citar ou linkar para este item:
https://deposita.ibict.br/handle/deposita/551
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Campo DC | Valor | Idioma |
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dc.contributor.author | Araújo, Alex Pereira de | - |
dc.contributor.author | Milanez, Nilton | - |
dc.date.accessioned | 2024-03-06T20:59:19Z | - |
dc.date.issued | 2019 | por |
dc.identifier.doi | ISSN | por |
dc.identifier.issn | 2349-6495(P) | 2456-1908(O) | por |
dc.identifier.uri | https://deposita.ibict.br/handle/deposita/551 | - |
dc.description.resumo | In this article, we seek to demonstrate how horror movies can be part of writing a political and historical event. Our reflection takes up the question that appears in Barthes in a text called The Writing of the Event, which contains an analysis of May 1968 in France. We looked at two horror movies that contain memories of October 2005 and reflected on "who are we and what we do today?”. Our goal is to contribute to the diagnosis of the present | por |
dc.description.abstract | In this article, we seek to demonstrate how horror movies can be part of writing a political and historical event. Our reflection takes up the question that appears in Barthes in a text called The Writing of the Event, which contains an analysis of May 1968 in France. We looked at two horror movies that contain memories of October 2005 and reflected on "who are we and what we do today?”. Our goal is to contribute to the diagnosis of the present | eng |
dc.description.provenance | Submitted by Alex Pereira de Araújo (alex.scac@hotmail.com) on 2024-02-21T02:42:29Z No. of bitstreams: 1 36IJAERS-10201921-TheMemory (3).pdf: 163606 bytes, checksum: 257856b1174836d5923edbacb786bf33 (MD5) | eng |
dc.description.provenance | Approved for entry into archive by Cássio Morais (cassiomorais@ibict.br) on 2024-03-06T20:59:19Z (GMT) No. of bitstreams: 1 36IJAERS-10201921-TheMemory (3).pdf: 163606 bytes, checksum: 257856b1174836d5923edbacb786bf33 (MD5) | eng |
dc.description.provenance | Made available in DSpace on 2024-03-06T20:59:19Z (GMT). No. of bitstreams: 1 36IJAERS-10201921-TheMemory (3).pdf: 163606 bytes, checksum: 257856b1174836d5923edbacb786bf33 (MD5) Previous issue date: 2019 | eng |
dc.description.sponsorship | CAPES | por |
dc.format | application/pdf | * |
dc.language | eng | por |
dc.publisher | Universidade Estadual do Sudoeste da Bahia | por |
dc.publisher.country | Brasil | por |
dc.relation.ispartof | International Journal of Advanced Engineering Research and Science | por |
dc.rights | openAccess | por |
dc.subject | memory, body, horror movie; discourse | eng |
dc.subject.cnpq | Letras | por |
dc.subject.cnpq | Filosofia | por |
dc.subject.cnpq | Antropologia | por |
dc.subject.cnpq | Cinema | por |
dc.title | The Memory of Horror in the Filmic Body and the Writing of the Event | por |
dc.type | article | por |
dc.citation.spage | 237 | por |
dc.citation.epage | 241 | por |
dc.citation.issue | 10 | por |
dc.citation.volume | 6 | por |
Aparece nas coleções: | Nordeste |
Arquivos associados a este item:
Arquivo | Descrição | Tamanho | Formato | |
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36IJAERS-10201921-TheMemory (3).pdf | Artigo The Memory of Horror in the Filmic Body and the Writing of the Event em PDF | 159,77 kB | Adobe PDF | Baixar/Abrir Pré-Visualizar |
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