SONAR: uma análise visual

Abstract

Sound-visual compositions from “O Grivo” allow multiple experiences in a relation between music, installation and performance. The sound sculptures invented by the artists, based on fragments, impress not only by their shapes, but also by presence they assume in the space, creating an expansive territoriality that transits between “gambiarra” and harmony. This territory is marked by movement of the artists that interact with sculptures and create a sound and visual diversity and of spectators, that make contact with the installation and alter the configuration of the space. The sounds produced by these gadgets are intriguing because they generate curiosity about what you see and what you hear. All these features, present in the works of O Grivo, have strong reference to the very idea and image of the Rhizome. The purpose of this article starts from the intention to explore the visual scope in the work Sonar, which was exhibited at Funarte in Belo Horizonte in 2017, through a dialogue with the concept of Rhizome by Deleuze and Guattari.