Teoria da recepção: reflexões sobre comentários em vídeo voltado para professores de arte no you tube

Abstract

Art had its borders expanded due to technological transformations, its reproducibility rovided a radical change in its own concept, presenting new forms of expression, as well as new possibilities of access and use. Through the internet a considerable portion of the world's population, who for various reasons are prevented from physical contact with artistic objects, they can have access to collections from national and international institutions in addition to a multitude of content about art. Access is no longer limited to museums or galleries, nor is it restricted to a small portion of the population as happened for centuries throughout of history. Anyone who is digitally included has the possibility of access to the universe of art without leaving home, using a computer or cell phone. This new form of access and participation in the world of art that artists, teachers and spectators acquired as a result of technology, democratized access to artistic productions, as well as giving rise to a new relationship with the artistic object. This new space of relationship with art, especially with regard to the aspect of reception promoted by virtual space is the object of interest of this article.